Tracklist:

1. Anonymous IV
2. Blest Age!
3. Richmond Rd
4. Courante
5. Anonymous V
6. Materiadiscipuli
7. Novus Lumen
8. Pentaarc
9. Flit
10. Arislei Bone
11. Strewn

Coil, Nicols Jaar, Alessandro Cortini, Pantha Du Prince, Fennesz, Visible Cloaks, Actress, Donato Dozzy. T. Gowdy returns with a major statement and luminous stylistic expansion on his third album for Constellation. Trill Scan is an exquisite suite of songs literally and figuratively about alchemy, where Gowdy melds his background in choral and medieval music with his trademark analogue electronics. Following the acclaimed Miracles (Bleep Album of the Week / Albums of the Year 2022), Gowdys bar-raising new LP centers human voice for the first time. Choral set-pieces and solo lead vocals, along with his own lute playing, are novel elements in Gowdys work, and draw on strains of Middle Ages polyphony and the Baroque broken style to further distinguish Trill Scan from anything in his discography to date. Gowdy sees the modal language of medieval Europe as a less distant cousin to indigenous traditional music practice compared to a Classical-colonial patriarchal order of tonality that honours a system of domination. The 12th century Notre Dame School of choral music and 17th century style bris each carry tonal materiality, heterodox technique, and cultural-historical symbolism central to Trill Scans conceptual and compositional alchemy. Gowdy coheres these beautifully into his palette of serpentine slowburn electronics, a minimal analogue-driven techno shaped by aleatory strategies and tinged with post-punk grit. Gowdys sound has been aptly described as gently transportative, flickering like a busted halogen lamp and his overriding pursuit of psychoacoustic immanence likened to getting your brain massaged and praised as blissful work that bristles with effervescent energy, like brain waves coming in and out of focus. Trill Scan expands this sonic sensibility with more conspicuous harmonic complexity, stylistic variety, and humanistic narrative arc. Alternately sacramental and intimately personal vocals, sometimes wordless and sometimes lyrical, are worked into superlative instrumental tracks, yielding a warmly immersive concept album thats equally Gowdys most musical. Gowdy sings explicitly of alchemy on the hypnotic album centerpiece Novus Lumen with lyrics that gesture at these medieval processes of material investigation. The tension between the scientific and esoteric is crucial; the separation and synthesis of physical substances in medieval alchemy maps onto his fixation with the interplay between the materiality of sound and psychoacoustics. Gowdy follows the Jungian interpretation of classic alchemical texts as an historical bridge to theories of the psyche, where consciousness itself is treated as materiality and similarly subjected to methodical analysis and experimentation, to deconstruction, dissolution, transformation, reintegration, metamorphosis. Song titles like Arislei Bone and Materiadiscipuli further reference these mythopoetic throughlines from medieval alchemy to modern psychology. Gowdy chooses disruptive forms from the history of Western music that symbolize and prefigure the modern psychological subject and its struggle for/against order, even as they also evoke liturgy and the Renaissance court. The sacramental adds a potent dimension to his pursuit of psychoacoustic activation, meditation, and transcendence, as choral passages intersperse with electronic drone and pointillism throughout the album. His gorgeous Fennesz-meets-lute rendition of the Baroque composition Courante by Franois Dufault offers idiomatic salon-secular counterpoint. Album closer Strewn is bookended by a final recurrence of choral invocation, with pulsing earworm motorik techno in between, over which Gowdy whisper-sings a dreamlike vision quest of mythic-alchemical imagery: as I washed my eyes they turned to metal / and the memories melted to the metal / the metal of my heart. A mesmerizing final song that explicitly invokes Gowdys search for materialized abstraction and substantive musical immanence wrought from his own psycho-therapeutic subjectivity, and encapsulates the albums turn towards more harmonic, historicized, and humanistic elements. Trill Scan commingles empyrean and earthly electronic songcraft to genuinely original and absorbing effect.