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Throbbing Gristle Live at the Volksbhne, Berlin, New Year’s Eve, 2005 Vinyl LP 2025

$27.70 $37.20

Tracklist:LP 11. Trumpet Herald (Live at the Volksbhne, Berlin, New Year's Eve, 2005) 2. Convincing People (Live at the Volksbhne, Berlin, New Year's Eve, 2005) 3. Splitting Sky (Live at the Volksbhne, Berlin, New Year's Eve, 2005) 4. Slug Bait (Live at th

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Tracklist:

LP 1

1. Trumpet Herald (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)
2. Convincing People (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)
3. Splitting Sky (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)
4. Slug Bait (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)
5. Rabbit Snare (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)
6. Almost a Kiss (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)

LP 2

1. Greasy Poo (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)
2. The Endless Not (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)
3. Vow of Silence (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)
4. PA Destroyer (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)
5. Hamburger Lady (Live at the Volksbhne, Berlin, New Year’s Eve, 2005)

This release, previously featured in the TG Berlin box set and available on vinyl for the first time, captures Throbbing Gristle’s unforgettable New Years Eve performance, part of a specially curated series of live events held at the Volksbhne, Berlin in 2005 and 2006. The setlist included a preview of five tracks from their first album in 27 years, Part Two: The Endless Not which was released several years later. Fans were also treated to TGs first encore in 25/26 years, which included iconic
songs like Convincing People, Slug Bait, and Hamburger Ladywhat an encore! Additionally, the performance featured the released track Splitting Sky and more.

Formed in 1975, Throbbing Gristle – Chris Carter, Cosey Fanni Tutti, Genesis Breyer P-Orridge (1950-2020) and Peter ‘Sleazy’ Christopherson (1955-2010), fully delivered on punks failed promise to explore extreme culture as a way of sabotaging systems of control. Their impact on music, culture and the arts has been immeasurable, and still felt today across music, film, theatre, and fine art

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