Dinked Edition: #244

• Flax flower blue vinyl *
• Exclusive alternative sleeve artwork *
• 12 art print signed by Dot *
• Limited pressing of 400 *

*Dinked Edition EXCLUSIVE

Tracklist:

1. Shyness Of Crowns
2. Unchanged
3. Bleached By The Sun
4. Moon Flowers
5. 220Hz
6. Double Rainbow
7. Milk And Honey
8. Mother Tree
9. Weeping Roses

Dot Allison returns with a new solo album, Consciousology. After over a decade away, the former One Dove singer and songwriter broke cover in 2021 with Heart-Shaped Scars and this new album follows just two years later, as she hits a purple patch of songwriting. Its also her first full release for Sonic Cathedral after contributing to Mark Peters acclaimed Red Sunset Dreams last year.

Consciousology finds multi-instrumentalist Dot joined by the London Contemporary Orchestra, her new labelmate Andy Bell from Ride, who plays guitar on two tracks, and Hannah Peel, who is responsible for some of the string arrangements with both the LCO and a stellar group of Scottish string players. It expands on the styles and themes of the previous album, all while pushing everything just that little bit further the songs sound bigger, more avant-garde and experimental and, occasionally, properly out-there and psychedelic.

I wanted to make some albums that felt like a set, exploring love, what lies beyond the visible and how all these aspects dovetail together, explains Dot. I see Consciousology a more psych Heart-Shaped Scars with a far fuller, more immersive sound and so, in that sense, its a more wayward, bolder, rule-breaking partner.

Right from the eye-catching artwork by PJ Harvey collaborator Maria Mochnacz it definitely does not play it safe. It veers
from the techno-played-as-folk of opener Shyness Of Crowns and 220Hz and the Linda Perhacs-meets-The Velvet
Underground chug of the first single Unchanged to the Mercury Rev-style fantasia of Bleached By The Sun, the Brian
Wilson-esque harmonies of Moon Flowers and the kaleidoscopic colour trip of Double Rainbow. Elsewhere there are
echoes of Desertshore-era Nico, Jack Nitzsches work with Neil Young, Karen Dalton and Anne Briggs before the relative
simplicity of the Tim Hardin-inspired closer Weeping Roses. Its a brilliant, breathtaking record.

The title, which brings to mind Maureen Lipmans classic 1980s BT adverts (you get an ology, youre a scientist!) might
feel playful and light-hearted at first, but has a much deeper meaning, and one which makes sense of the albums dedication
to its biggest influences: Dots musician mother and botanist father.

For me, it is an imagined voice of a conscious universe expressed through music, explains Dot of the over-arching
concept. Its a plea, an embrace, a longing, a last gasp, perhaps imbued through the music, voice, harmony and a
harmonic composition, with the lyrics taking an interest in the differing levels of consciousness apparent in all self-
organising, natural systems.

It takes a less mechanistic, inanimate but more infinitely complex view of the nature of reality and how feelings of love
and loss and consciousness itself are potentially less molecular in nature and more electromagnetic.

*Limited to 1 copy per customer/household, multiple orders will be cancelled without notice.