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DITZ The Great Regression Vinyl 2022 Ltd Dinked Edition #176

$147.90 $305.19

Dinked Edition : DINKED 176 Pink and black splatter vinyl *Housed in printed disco bag with colour by numbers & crossword* 8 piece jigsaw* 26 page lyric book*Limited pressing of 500 * *EXCLUSIVE to Dinked EditionTracklist:1. Clocks2. Ded Wurst3. Summer of

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Dinked Edition : DINKED 176 Pink and black splatter vinyl *

  • Housed in printed disco bag with colour by numbers & crossword*
  • 8 piece jigsaw*
  • 26 page lyric book*
  • Limited pressing of 500 *

*EXCLUSIVE to Dinked EditionTracklist:

1. Clocks
2. Ded Wurst
3. Summer of the Shark
4. Three
5. The Warden
6. I Am Kate Moss
7. Instinct
7. Hehe
8. Teeth
9. No Thanks, Im Full

This 10-track album has been a long time coming the five-piece first came together in Brighton at the end of 2015 and released their debut EP the following year. There have been a few line-up changes along the way, but they have been settled since their breakthrough tracks Gayboy, Total 90 and a cover of Peaches Fuck The Pain Away in 2019, which prompted Joe Talbot from Idles to proclaim DITZ are the best band in Brighton, if not the world.

Even though the various lockdowns slowed the bands momentum for a while, they turned the situation to their advantage, using the downtime to fine-tune this incredible debut. Abrasive but accessible, The Great Regression is set to be one of the most important British guitar debuts of 2022. First single Ded Wrst a ferocious mix of Gilla Band, Foals and a lyric bemoaning the moral quandary of minimum-wage employment unsurprisingly became an instant favourite of Steve Lamacq on BBC Radio 6 Music. Other highlights include The Warden, a song all about being too intense, ironically set to an intense backing somewhere between Deftones and Mogwai, and I Am Kate Moss, which, according to singer Cal Francis, is about the separation between your visual and personal identities, particularly within the context of masculinity and femininity.

Such themes of insecurity and gender pop up a lot over the course of the album, as well as lots of references to the human body breaking and being harmed in unnatural ways, although theres no one overarching concept, simply because the songs have come together over such a long period of time. The title is not so much a reference to society going backwards, but more the bands penchant for childish jokes. Sitting in a van all day can get silly, laughs Cal. Thats not to say The Great Regression is in any way light-hearted. Its full of anger, rage and despair. Three takes some text from Stanislaw Lems 1961 sci-fi novel Solaris and applies it to the hollow activism of everyone from big corporations to middle class uni
students. Other literary touchstones include Sylvia Plath, William Burroughs and Hubert Selby Jr, but even more influential is the bands ever-growing pile of equipment. We spent a lot of time during the recording process just trying to make unusual sounds out of pedals, or whatever we could find, says Cal. The album concludes with a cacophonous new version of No Thanks, Im Full, which originally closed their debut EP in 2016. Over the years the live version has evolved so much that we just had to record it again to do it justice, explains Cal. The lyrics are so old that I cant place whether they are about the hazards of drinking or not drinking”. Its proof of just how far DITZ have come on in that time and a reminder that, in order to progress, you need to regress. And well drink to that. Or not.

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