Please note this is a pre-order item due for release 12th September, 2025

Tracklist:

1. Nigels Poem
2. Lets Just Rock Again
3. Flower People (with Elton John)
4. Brighton Rock
5. The Devils Just Not Getting Old
6. Cups and Cakes (with Paul McCartney)
7. I Kissed A Girl
8. Angels
9. Big Bottom (with Garth Brooks and Trisha Yearwood)
10. Judge and Jury
11. Rockin In The Urn
12. Blood To Let
13. Stonehenge (with Elton John)

The End Continues is the newest album from Spinal Tap, in conjunction with the forthcoming sequel, Spinal Tap II: The End Continues. The 13-track album includes new original songs and classics with features from Elton John, Paul McCartney, Garth Brooks and Trisha Yearwood.

This Is Spinal Tap and its upcoming sequel, Spinal Tap: The End Continues, directed by Rob Reiner with Christopher Guest, Michael McKean, and Harry Shearer reprising their iconic roles as the legendary heavy metal band Spinal Tap. Reiner returns as documentarian Martin Marty DiBergi, with cameos from music legends Elton John, Paul McCartney, and Garth Brooks and Trisha Yearwood. Also appearing will be Paul Shaffer, Fran Drescher, Don Lake, John Michael Higgins, Nina Conti, Griffin Matthews, Kerry Godliman, and Chris Addison. Bleecker Street is planning a nationwide U.S. theatrical release of a newly-restored edition of This Is Spinal Tap this Summer, and the film subsequently will be made widely available on digital and streaming platforms for the first time in years, in anticipation of the sequels wide theatrical release on September 12.

Conceived by Guest, McKean, Reiner, and Shearer, Spinal Tap follows Englands loudest and most punctual band, as they reunite after a 15-year hiatus for one final concert. The film

is produced by Rob Reiner, Michele Reiner and Matthew George and financed under the Castle Rock Entertainment banner. Derrick J. Rossi PhD, Hernan Narea, Jonathan Fuhrman, and Christopher H. Warner executive produced the film.

This Is Spinal Tap was released to critical acclaim in 1984 and went on to become a cult classic. In 2002, it was deemed “culturally, historically, and aesthetically significant” by the

Library of Congress, and was selected for preservation by the National Film Registry.